“What traits make Austen special, and can they be measured with data? Can literary genius be graphed?” The New York Times tackles the question of why, 200 years after her death, Jane Austen is still so popular. (One finding: the author“used intensifying words — like very, much, so — at a higher rate than other writers.”) See also: our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.
Taking Her Measure
‘Goodnight Moon’ Revisited
Brian Goedde takes a closer look at the characters within Margaret Wise Brown's classic Goodnight Moon, particularly the bunny at the center of the tale.
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The Poetry of Tim Riggins
“I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn.” In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights’s Tim Riggins including “Tim Riggins Speaks of Waterfalls” and “Tim Riggins Invents a New Number.”
Scaring Men
Here are a couple Halloween-related essays from the good people at The Literary Hub: This fascinating literary history of witches by Jess Bergman, and this piece by Tobias Carroll on non-fiction writers crossing the supernatural line between fantasy and reality.
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Everyone has his problems
With a deep look at the history of pronouns and a close reading of the lake has no saint, Dana Levin provides a thoughtful look at the everyday problems caused by “he,” “she,” and “they”.
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Recommended Reading: Americca
Recommended Reading: Aimee Bender’s short story “Americca” from her newest collection, The Color Master.
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The Underground Railroad: The Series
Moonlight director Barry Jenkins plans to adapt Colson Whitehead’s Underground Railroad as a limited-run series. In his review of the novel for our site last year, Greg Walklin gushed that “Whitehead’s brilliance is on constant display.”
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“Scatter[ing] lightning and lawn debris across your psyche.”
The estimable New York Times Magazine profiled Patricia Lockwood this week, and in the process printed the phrase “tit-pics” for probably the first time in the Grey Lady’s history. Lockwood’s name should be no stranger to Millions readers, of course, as I’ve previously steered readers’ attention toward The Poet Laureate of Twitter’s works in the past (such as this one, and this one, and this one, too.) As a bonus, Dwight Garner reviewed her latest collection, Motherland Fatherland Homelandsexuals, for the paper as well.
For Franzen Haters
Do you hate Jonathan Franzen (and/or contemporary literature generally)? Then you’ll love B.R. Myers‘ take on him at The Atlantic.
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