“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote “Lord of the Flies”: “It may not be a surprise to learn that the British novelist … did not have a happy childhood. But the details will put a sweat on your forehead.”
“Two writers guard an archive. One writes Fiction; the other writes Fact. To get past them, you have to figure out which is which.” Recommended reading: The New Yoker‘s Jill Lepore attempts to trace the “long-lost story of the longest book ever written,” Joe Gould‘s The Oral History of Our Time.
“I find it amusing that people think trying to read a book in a language you do not understand is the most boring activity in the world. If you are interested in how literature works, these things are interesting.” On Lydia Davis‘s interest in learning to read Norwegian literature and writing at the end of the world, from the newly-launched Lit Hub.