“The last thing your creative brain needs is a klaxon shouting WRONG while you’re in the middle of a creative thought. Eventually, as you use Neo, you’ll stop thinking about spelling and typos. This will push your creativity to the next level. You can always step through a spell check any time you like. But not while you’re writing.” Hugh Howey, author of the Wool series, proposes a new word processor called Neo.“I’m currently talking with programmers and consultants on how to get this done,” he writes on his blog, describing the application’s potential features. “Might be a decade before anything comes to light, so don’t hold your breath. But I’m willing to invest the time and money to make this a reality.” Pair with programmer Philip Hopkins‘s meditation on code and writing.
You don’t need to visit Houghton Library in Cambridge, MA to check out Emily Dickinson’s family artifacts. You can catch a glimpse from the comfort of your own home.
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing “some of the best writing today” and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).
Robert Krulwich takes on two very different types of “nothing.” As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, “nothing” is a lot more complicated than you might initially believe.