“Who was Bret Easton Ellis describing when he tweeted: ‘The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn’t able to achieve’?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let’s talk about books about violence.
“What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?” Physicist Paul Davies on why you can’t remember your future.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
Sara Davidson’s Joan: Forty Years of Life, Loss, and Friendship with Joan Didion is an intimate portrait of one of America’s most revered and private writers.