The Book Was Better is a podcast that “debates, discusses, and rips into the (often) hastily written and terrible book-of-the-film” adaptations for movies like Wild, Wild West, Hackers, The Net, and (try not to be upset by this one…) Jumanji. (Those episodes can be found here, here, here, and here, respectively.)
Out this week: The Goldfinch by Donna Tartt (who Angela Qian wrote about for The Millions in September); We Are Water by Wally Lamb; Aimless Love: New and Selected Poems by Billy Collins; Roth Unbound: A Writer and His Books by Claudia Roth Pierpont; and The Eternal Wonder, a recently discovered novel by Nobel laureate Pearl S. Buck. For more on these and other new books, check out our Great Second-half 2013 Book Preview.
In 1962, Samuel Beckett wrote “Play.” Originally intended to be a stage production, the piece has now been adapted as a short film starring Alan Rickman, Kristin Scott-Thomas and Juliet Stepherson. Come for the Beckett writing (full text can be found here), but stay for the disembodied heads-in-urns.
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.