“Always practice basic online etiquette, or ‘netiquette.’ Consider including emoticons to help add personality to your message and set the right tone. Also, be sure to stay on topic in a conversation and avoid writing in all caps, which is the online equivalent to shouting.” The Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) has a list of guidelines for authors looking to engage with their fans (and critics) on Goodreads. More recommended reading: our own Emily St. John Mandel on how to respond to your critics.
Do Not Shout
It’s an Honor
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
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It’s Darcy, Isn’t It
Why do Americans love Jane Austen so much? The BBC (who else) takes a look at possible reasons.
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Writing in the Motor City
Is Detroit the new Brooklyn? Two Brooklyn writers relocated to the Motor City and are trying to turn the city into a writers’ haven with the project “Write A House.” The non-profit will award free, renovated houses in Detroit to writers of modest means.
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Negative Theology
Anthony Domestico writes on negative theology in the works of Joy Williams and Mary Rakow at Commonweal Magazine. Our own Nick Ripatrazone offers 50 reasons why you should read Joy Williams.
Before the Fall
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
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It Isn’t Even Past
“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.
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