“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.
In the New York Times, a review of 2013 Year in Reading alum Olivia Laing’s new book, which delves into the alcoholism of Hemingway, Fitzgerald and six other famous writers. Among the biographical tidbits in the book: Tennessee Williams had a brandy Alexander every day when he lived in New Orleans.