“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
Author Internet 101
Tao Lin in the News
Tao Lin signed a book deal with Vintage Books for his forthcoming novel Taipei, Taiwan. Carles of HipsterRunoff fame wished the author well with an eCard, and the New York Observer discussed the author's developing movie project.
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The Rise of the Typo
In the Times, Virginia Heffernan bemoans how technology and the economic struggles of the publishing industry are leading to an increasing number of typos in books. However: "The Pollyannish upside to writerly inattention and cutbacks in publishing, then, is that readers sometimes see more of the human writer, and less buff and polish."
How to Fight Hate
“Do something. In the face of hatred, apathy will be interpreted as acceptance by the perpetrators, the public and — worse — the victims. Community members must take action; if we don’t, hate persists.” The always amazing Southern Poverty Law Center has put together "Ten Ways to Fight Hate: A Community Response Guide."
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Submergence Coming to a Theater Soon?
U.S. film producers have acquired the movie option rights for J. M Ledgard’s Submergence, a book Kathryn Schulz called a “strange, intelligent, gorgeously written book” – among the best she read all of last year.
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“Would we also just weep and walk away?”
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
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Kickstarter Trumps the NEA
Kickstarter is expecting to raise more than $150 million for its users' projects in 2012. That's $4 million more than the "entire fiscal year 2012 budget for the National Endowment of the Arts." Maybe it's because the NEA is wasting all of its money on that $1.3 billion poem...