“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”
“There’s much to be commended in the work done by FiveThirtyEight, or even Vox,” writes Millions contributor Brian Ted Jones. “But making problems seem smaller then they are is a harm that outweighs all the good.” He goes on to tie together the rise of “explainer” sites, the problem with “hashtag activism,” and also references to Louis C.K., Teju Cole, and Leslie Jamison.
"The blackly comic energy of Nathanael West’s Miss Lonelyhearts—its caustic ebullience, the strange buoyancy of its suffering—is a remarkably American achievement, a kind of death-dance capered on the corpse of a vividly rendered early 1930s Manhattan." On Miss Lonelyhearts, the darkest American masterpiece.
“I am so grateful for this tool in my writer’s toolkit. It has liberated both me and my texts from an overbearing approach to 'getting it right.'” Cara Benson for the Amazon Author Insights blog (full disclosure: Amazon helps us pay the bills over here!) on the benefits of writing and revising by hand. And she's not the only one who likes to go manual.