“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
The Los Angeles Review of Books interviewed Xujun Eberlein, a “China-born and now Boston-based” short story writer, essayist and blogger about recent literary happenings in her native country. The first question they asked has to do with Finnegans Wake, which is selling surprisingly well in Chinese bookstores.
Catching you up to speed with two recent literary controversies: 1) Poets & Writers‘ MFA rankings kerfuffle gets a climactic and eloquent summary from The Missouri Review‘s Michael Nye. 2) In response to her Salon article, “How the National Book Awards made themselves irrelevant,” Victor LaValle has some fightin’ words for Laura Miller.