“But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion.”
Another View
Not I
John Clare, “the peasant poet,” wrote wide-ranging poems on rural themes, distinguishing himself from his peers in the 19th-century literary scene in England. In 1830, in the midst of an episode of depression, he wrote a long polemic against the first-person pronoun, in the form of a letter to his friend Eliza Emmerson. In The Paris Review Daily, an excerpt of the letter.
Black Bodies Matter
“All the rage and mourning and angst works to exhaust you; it eats you alive with its relentlessness.” The New York Times‘ Jenna Wortham on self-care during a summer rife with violence against people of color.
Mutual Self-Interest in Bad Decline
In the wake of Hurricane Sandy, America needs George Saunders. Fortunately, the editors at The New Yorker’s Shouts and Murmurs blog appear to understand this.
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Biological Music
“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
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Suitor by Suitor
At Salon, Bird by Bird author Anne Lamott recounts her year in the online dating world, a year which she says was complicated by the fact that “91 percent of men snore loudly.”
“Tongue-in-Cheek Tocqueville”
“‘So your idea is to drive across America and write about it without talking to a single American?’ ‘Yes.'” Karl Ove Knausgaard travels North America as “a tongue-in-cheek Tocqueville” for the New York Times Magazine. Pair with his piece for The Millions, “The View from My Window is a Constant Reminder,” and with Jonathan Callahan‘s reading of Knausgaard’s My Struggle.