“What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families.” On Philip Roth and Newark, NJ.
The Old Town
Lit Reactor’s Literary Tattoo Contest
Do you have literary ink? No, not that kind. We’re talking tattoos. Lit Reactor wants to see your Moby-Dick-themed tramp stamps, and your Le Petit Prince-themed bicep tats.
The Rest of the Story
In this week’s New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
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Remarks on Color
Recommended Reading: On Walter Benjamin and Ludwig Wittgenstein. “They have many things in common, but where they connect most strikingly is in their shared suspicion of theory and their emphasis on the visual.”
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Curiosities: As Compiled by a Hologram
So much to hate: The Beast’s 50 Most Loathsome People in America 2008Bookshelves gone wild: Plant your tree of knowledge next to your literary playground.At the Vroman’s Bookstore blog, Patrick talks about why “books need more time,” and looks at how one book is getting more than the one week it was given.n+1 launches N1BR, the book review supplement to n+1. One of the editors is Nikil Saval, who appeared in our Year in Reading series in 2008.The earliest celluloid film (from 1888) can be found – where else – on YouTube. (From The List Universe’s “Top 10 Incredible Early Firsts In Photography“)As if it wasn’t already hard enough to get up for work in the morning: Our world may be a giant hologramJack Shafer responds to David Carr’s call to “invent an iTunes for News.”
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The sublime everyday
Tom Perotta, author of Little Children and The Leftovers, talks about how he learned to write about ordinary life from Thornton Wilder’s play, Our Town. “The tragedy is that, while we’re alive, we don’t view our days in the knowledge that all things must pass. We don’t—we can’t—value our lives, our loved ones, with the urgent knowledge that they’ll one day be gone forever.”
Publish or Perish, But Please Don’t Peer Review
The recent shuttering of the University of Missouri Press raises an important question for all academic publishers: is the cost of peer review to blame?