“What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families.” On Philip Roth and Newark, NJ.
“There is always something lost, or exchanged, when the imagined world evoked by the written word, unique for every reader, is replaced by a provided set of visual references. In this particular case, the artist is faced with translating the unbelievable, even the metaphysical, into visual imagery, and within a relatively constrained form.” Jenna Brager on Hope Larson’s graphic novel adaptation of A Wrinkle in Time.
“Chekhov’s contemporaries wondered: What sort of Russian writer was he? He had no solution to the ultimate questions. With no ‘general idea’ to teach, wasn’t he more like a talented Frenchman or Englishman born in the wrong place?” (And our own Sonya Chung argues that personal character was in fact his “general idea.”)
Ian McEwan stopped by BBC’s Radio4 flagship news program to discuss, among other things, his love for John Williams’s Stoner. The novel, as Claire Cameron reported for us last month, is currently flying off the shelves in the Netherlands. However since McEwan gave Williams’s forgotten masterpiece a shout out, UK buyers have been snapping up four copies per minute.