“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.
At NPR’s blog, Meg Wolitzer chooses five summer books that deserve more attention from readers. If you’re a Millions regular, though, you may find her selections a wee bit familiar, seeing as we reviewed Jessica Soffer’s book, interviewed This Is Running For Your Life author Michelle Orange and published The Unchangeable Spots of Leopards author Kristopher Jansma.
"The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision." In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
“The city has the beckoning power of a black hole or the Italian countryside or a castle. There is no way to explain our wiring to someone whose fairytale has always ended somewhere like Florida.” Aisha Sabatini Sloan on calling Detroit home, over at The Offing. Also check out Bill Morris’s Millions piece on movies set in the city.
At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.