“I feel nothing. I think: What an ugly place for it to happen. I call it The Accident. I didn’t hear, or see, or feel any of it, or if I did, I stored it somewhere irretrievable even to me.” Gloria Harrison‘s essay “Where the Highway Splits” stuns over at The Rumpus.
In an interview with The Atlantic, Zone One author Colson Whitehead says the distinction between “literary” and “fantasy” genres “have no use for me in my day-to-day work experience.” Whitehead is just one of the recent high-profile authors to foray into genre fiction, however, as Kim Wright explored in a piece for us last month.
Conversational Reading covers “Four Greek Writers That You Should (and Can) Read.”Wells Tower interviewed on The Dinner Party Download.Anne Trubek at Good Magazine recommends our site to “Post-Collegiate Literary Types”The Elegant Variation gets a new reader. Congratulations, Mark!Make of this what you will: “Popular Japanese horror writer Koji Suzuki will publish a short novel called Drop on rolls of toilet paper.”Wikipedia Find of the Week I: Criticism of Wikipedia (so meta)Wikipedia Find of the Week II: No one cares about your garage band (so snarky)”Updike’s Sunset:” Kakutani takes on two newly published Updike collections, My Father’s Tears and Other Stories and Endpoint and Other Poems.Further Reading: Consider revisiting our guest post from last week, Finding Indie Opportunity on The Kindle, where a very interesting discussion developed in the comments.
“In the days after the procedure I was sometimes so exhausted by movement that I would wait patiently for someone to come in and give me a paper cup of pills that was almost, not quite, out of my reach. But somehow, I would always contrive to get my pen in my hand, however far it had rolled… When Virginia Woolf’s doctors forbade her to write, she obeyed them. Which makes me ask, what kind of wuss was Woolf?” Hilary Mantel writes a diary on hospitalization for the London Review of Books.
“I used to run cross country in high school and it was like, I knew if I put in a certain kind of training, it was going to make me faster. If X, then Y. But with writing, it’s like, if X, if I do this thing that’s necessary, which is giving myself the space and time, then what? It’s sort of a question mark. You have no idea. You work so hard to offer yourself up to the space of the unknown.” Leslie Jamison (and Angela Flournoy and Katherine Towler) on being alone and setting aside the time to write.
“In the silence, there is solitude. In the solitude, there is silence. This is the whole point of technology. It creates an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature.” Don DeLillo, author of White Noise, “reviews“ Taylor Swift‘s white noise for The Atlantic.