Thanks to the work of archivists at The Harry Ransom Center at the University of Texas, two scholars have unearthed a 1901 play by Edith Wharton called “The Shadow of a Doubt,” reports The Guardian. “After all this time, nobody thought there were long, full scale, completed, original, professional works by Wharton still out there that we didn’t know about. But evidently there are. In 2017, Edith Wharton continues to surprise.” Pair with this reflection on the role of New York City in Wharton’s novels.
Google has added a Worldcat search to Google Books, allowing readers to look for books in their local libraries as well as on online bookstore sites. (via)From the Department of Clever Book Promotions: Random House is using a text-based (or interactive fiction) game to promote the release of The Glass Books of the Dream Eaters by Gordon Dahlquist.Steven Johnson’s forthcoming book The Ghost Map, “a thrilling historical account of the worst cholera outbreak in Victorian London,” sounds pretty terrific. To whet the appetite, he provides a brief list of the “best” plague books to the Wall Street Journal. (via).Just in time for Banned Books Week, check out some very cool banned books jewelry.
Quartz has a roundup of the books Hillary Clinton borrowed from the State Department library during her time as Secretary of State, including a memoir, poetry, and a lot of non-fiction. Pair with our piece about what private libraries reveal about their readers.
When did the air of scandal surrounding Philip Roth give way to a kind of reverence? At a certain point, Roth lost his reputation for controversy. In The New Republic, Adam Kirsch investigates the odd story of Roth’s career, including evidence from Claudia Roth Pierpoint’s new book about the author, Roth Unbound (which we reviewed).
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.