“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
What’s going on in Hong Kong? Last week, a man by the name of Lee Bo became the fifth member of the Hong Kong-based publishing house Mighty Current, which specializes in provocative tomes about Beijing leaders, to vanish mysteriously. A few of those missing have been in sporadic communication with worried family members, letting them know in opaque terms that they are “helping with an investigation.”
How was Charlotte Brontë at 8? According to her school reports, she "'[wrote] indifferently' and '[knew] nothing of grammar, geography, history, or accomplishments". Of course, she went on to write Jane Eyre, and as The Guardian points out, many a famous writer received middling reports in school, so maybe there's hope for other "indifferent' writers.
"We are not buried in history, but surrounded by it. You can’t avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people." The Rumpus interviews Russell Banks about his new book Voyager: Travel Writings.