“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
Is that a severed prostitute’s nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director’s theater), a theory of opera direction that holds the director’s take on an opera to be as (0r more) important than the artist’s text.
The U.S. Library of Congress has named its newest poet laureate, reports The New York Times. Tracy K. Smith says, “I’m very excited about the opportunity to take what I consider to be the good news of poetry to parts of the country where literary festivals don’t always go. Poetry is something that’s relevant to everyone’s life, whether they’re habitual readers of poetry or not.” Pair with our review of Smith’s memoir Ordinary Light.
If the looming election has you feeling like you might need a change of address on November 9th, you might (might) consider the United Arab Emirates. Vice President Sheikh Mohammed bin Rashid al-Maktoum, has implemented a groundbreaking initiative which requires government employers to give workers an allotment of free time for reading. Sheikh Mohammed had this to say to novelist Paulo Coelho’s praise of the initiative, “Did you know, Paulo, that in the 9th century, our region had over 100 publishing houses on the outskirts of Baghdad alone? … When its life was centered on books, Baghdad was, my friend, a beacon in the worlds of astronomy, medicine, mathematics and philosophy. Where is Baghdad today?””