“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
There is good news for those of us whose dreams of artistic superstardom don’t seem to be panning out — a job listing from McSweeney’s seeking failed artists for an associate position. “We would hate for you to be pretentious,” the listing states, “but if you don’t regularly call other people pretentious — this might not be the job for you.”
“I can’t help but worry that those of us who hoped that the marriage of pop culture and feminism would yield deliciously progressive fruit might have a lot to answer for.” Andi Zeisler on her new book and 20 years of Bitch Magazine. Also check out this Millions essay on feminist pop anthems.
Michael Chabon’s Telegraph Avenue (as seen in our Book Preview; and excerpted here) is due to hit shelves early September, and everybody seems pretty excited about it. How excited? Well, the book will come with an “enhanced e-book” replete with multimedia features, and the publishers have also decided to create a pop-up version of Brokeland Records, one of the novel’s main settings.
The brand new Library of Birmingham opens next week, and the gigantic structure is said to be “Europe’s largest public library.” In addition to its modern architecture, the facility also offers “a room from the 19th Century … to house one of the UK’s most important Shakespeare collections.”