Designboom has your library porn for the day. Pair with Daniel Penev‘s appreciation of public libraries the world ’round.
Do Not Lick the Books
A Logical Fit
The Guardian posted a helpful Q & A to shed light on a great mystery: why is Penguin Classics publishing Morrissey’s autobiography?
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Hybrid Essays, DIAGRAM Essays
The deadline for DIAGRAM‘s essay contest is October 31, but mostly I just wanted an excuse to link to previous winner Cheyenne Nimes‘ “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.“
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Raised on B-Movies
I’ve loved old sci-fi B-movies forever, and a staggering number of my childhood memories involve Ray Harryhausen. For this reason, I’m really geeking out over The New Yorker’s entire science fiction issue, but in particular this piece by Colson Whitehead deserves your time.
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A Little Bit Groupon
Last week, I relayed the news that The Circle, the upcoming novel by Dave Eggers, casts its eye on the cultish workings of a Google-esque company in California. But how Google-esque will the company be, exactly? Nick Clark takes a look at the evidence.
A Different Time
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
New Release Tuesday
New on shelves this week is John Banville’s The Infinities. Also just out is Reality Hunger: A Manifesto by David Shields. (See our early look at the book, our two–part interview with Shields, and Shields’ Year in Reading.)
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Endless Depths
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.
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