“Millennials in America are more likely to have visited a public library in the past year than any other adult generation.” Pew Research Center drops the boom mic. Pair with this confession by a self-proclaimed librarian drone.
“Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden … But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact.” On the enduring joys and exuberant voice of Richard Fariña’s Been Down So Long It Looks Like Up To Me.
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.