The Washington Post reports that Spanish writer and Cervantes Prize winner Juan Goytisolo has died at age 86. Bruna Dantas Lobato wrote about Goytisolo’s 1970 novel of dispossession Count Julian for us, noting that “[j]ust like the nature of exile itself, the narrative offers no relief, no place of rest: just fragment after fragment of dry landscapes, lonely characters, and rooms in disarray.”
Have you looked thoroughly at our Summer Reading List for Wretched Assholes Who Prefer to Wallow in Someone Else's Misery and still aren't sure what to read? Maybe this helpful flow chart from the Strand Bookstore, via LitHub, will help you settle on something.
"Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments." Our own Lydia Kiesling writes for Salon about the “caucasian, Ivy-educated writers of literary fiction set in Brooklyn” and the novels they're producing, particularly the just-released-yesterday Friendship by Emily Gould.
World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
"Everywhere you turn, are you surrounded by fools, by boring nonentities, by faceless masses and foes and suckers and, indeed, jerks?" If so--as this insightful if somewhat confidence-shattering piece at Aeon suggests--the jerk may be you.