“I have a big global voice, but a small local one, because I don’t want to be a target, and resent that in 2017, that’s still the only choice I get to have. I have a rule of leaving the party, or social space as soon as I see five white people drunk, because the only person who will remember that moment when everybody got hella racist will be me. I have a self-imposed curfew of when to ride my bike home, when to leave the park. I would rather risk my life riding late at night on the empty and mostly dark greenway, than riding on the street with Police officers looking for whoever matches a description.” A Brief History of Seven Killings author Marlon James writes on Facebook (?) about being big, close, and black in the U S of A. Pair with Kaulie Lewis on reading James’s The Book of Night Women during her senior year.
"I lost the first good novel I ever wrote to a computer disaster. It happened at a crucial time in my life. I was working nights, living in a mouse-infested tenement in Giuliani-era Harlem and still figuring out if I could even do this thing — become a writer for real." Mat Johnson on NPR's All Tech Considered blog about the ultimate authorial nightmare, and how he recovered from it. Pair with our review of Johnson's latest novel, Loving Day.
In The Guardian, Year in Reading alum Joshua Ferris writes a tribute to the novelist Jim Shepard, who taught him at UC Irvine when Ferris was a student there in the early aughts. Ferris makes a case that Shepard single-handedly settles a modern debate: “A lot of critics dislike the professionalisation of creative writing. They have never had Shepard in a workshop.”