“In this here place, we flesh; … Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it.” Toni Morrison‘s Beloved as featured in a powerful essay by Allyson Hobbs for The Root about black life, Philando Castile, “and the trauma that remains.” See also: a consideration of parallels between Morrison’s Pulitzer Prize-winning epic and The Odyssey.
In This Here Place
Defining a Generation
Move over, Hemingway! Youtube sensation PewDiePie, as famous for his video game commentary as he is for his loyal fanbase (the curiously-dubbed “Bro Army”), is a New York Times best-seller. PewDiePie’s This Book Loves You is one of three books written by Youtubers currently enjoying positions on various best-seller lists.
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What the World Eats
Peter Menzel and Faith D’Aluisio photographed 30 families in 24 countries, each time surrounding their subjects with their weekly food purchases. Their work was collected in their What the World Eats photo album, but you can take a look at some of their pictures over here.
Ping-ping-ping
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
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Late American Novel Fans
Word is there have been sightings of the book I co-edited The Late American Novel: Writers on the Future of Books in the wild, though it's officially due in March. You can keep up on all the news about the book, including events and links to excerpts on the book's new Facebook page.
Are You Feeling Lucky?
Hobart’s got a “Wish List” for submissions to its next issue, and with any luck they might just pull it off.
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“That shit was too white.”
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)