“In this here place, we flesh; … Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it.” Toni Morrison‘s Beloved as featured in a powerful essay by Allyson Hobbs for The Root about black life, Philando Castile, “and the trauma that remains.” See also: a consideration of parallels between Morrison’s Pulitzer Prize-winning epic and The Odyssey.
Just in time for Mother’s Day: whiz-kid chef (and friend of The Millions) Barton Seaver has just published his first book, For Cod and Country: Simple, Delicious, Sustainable Cooking. Bon appetit, Mom!
The CS Monitor has a little piece about the travails of teenage novelists: “A youthful sensation doesn’t always translate into a distinguished literary career. For many teen authors, that first book proves a hard act to follow. Some never again meet with the kind of praise critics heaped upon their first offerings.”Speaking of (once) young phenoms, Bret Easton Ellis has a flashy new Web site that promotes his upcoming novel, Lunar Park. I’ve never read Ellis, but the Web site seems to indicate that this upcoming novel is about a character named Bret Easton Ellis, and it may or may not be autobiographical. Very meta. There’s an excerpt in there too.I’ve been enjoying EarthGoat lately. It’s a group blog out of Iowa City.
“Almost as soon as the concept of the Great American Novel was invented, in the nation-building years after the Civil War, Buell finds it being mocked, noting that one observer dryly put it into the same category as ‘other great American things such as the great American sewing-machine, the great American public school, and the great American sleeping-car.’ It was enough of a cliché by 1880 for Henry James to refer to it with the acronym ‘GAN,’ which Buell employs throughout his book.” On the reigning gold standard for quality in American fiction. (Related: we asked nine experts their picks for the best American novel.)
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
“Most of all, they don’t tell you that fear, to reverse a phrase from C. S. Lewis, will feel so like grief, and so you begin to mourn what you have not yet lost, because mourning prematurely is the only way to protect yourself from hope.” For Catapult, Laura Turner writes about her trio of miscarriages and the hope she lost (and found) along the way. (Turner is a 2017 Year in Reading alum).