Can a book prepare you for motherhood? A reader asks this question in the Match Book column in the Times.
VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.
Depending on your perspective, this is either the best or the worst pairing of speaker to content there is: Benedict Cumberbatch reading Kafka’s Metamorphosis for the BBC. As always with Cumberbatch, the reading is a nice complement to our own Elizabeth Minkel on Sherlock.
The Tournament of Books declares a winner! It was down to two in the last round: Jonathan Franzen’s Freedom (called “big, messy, flawed, enraging, and engrossing” by C. Max Magee, one of the final round judges) and Jennifer Egan’s A Visit From the Goon Squad (which “ached with feeling and tension…”) Find out who won at The Morning News!
“If we are now relentlessly connected, every marginal identity gaining collective recognition, becoming assimilated, ever more rapidly? If that is where we stand, then something like a stubbornly solitary voice may be welcome, even necessary, telling us that what it means to be human—and what may keep us human—is to feel alone in a strange room, with our seclusion the thing that defines and can save us.” On bearing witness to the spectacle of aloneness and the fiction of empathy.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.