As if demonstrating exemplary literary skill weren’t enough, some overachieving authors were accomplished visual artists as well, notes AbeBooks in a roundup of talent that includes e e cummings, Günter Grass, Herman Hesse, and Jack Kerouac. Consider also our own Bill Morris on artists who channel writers in their own aesthetics.
After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.
“If I’ve sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more,” Geoff Dyer loves to sit. He and other authors discussed why the standing desk is overrated at The New Republic. Here’s where our writers work.
Following the news that Beyoncé sampled a TED talk given by Year in Reading contributor Chimamanda Ngozie Adichie, Tin House dug up an interview with the author, who says that to this day, when she looks at the manuscript of Americanah, she feels “thrilled and amazed that [she] actually finished writing this.”
Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.