“[L]ike many, many other rules in the English language, it turns out this one is built on a foundation of lies.” That whole ‘i before e, except after c rule? Bunk. Which you would already know, if you were a true spelling bee hopeful.
Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen’s review of the collection. There is no wrong answer.
David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
“’This Is Just To Say’ is magical because of this personal, endless quality to it,” writes Jezebel’s Kate Dries in her exploration of the poem’s prevalence among Twitter comedians. Meanwhile Andrew Epstein remarks in a supplementary blog post, “I guess this is just to say that the Jezebel piece reminded me that Kenneth Koch was remixing and spoofing [William Carlos] Williams almost 50 years before anyone ever dreamt of Twitter.”
Once a decade, Granta publishes a special “Best of Young American Novelists” issue featuring work from American fiction writers under the age of forty. The latest list includes Millions staffer and City on Fire author Garth Risk Hallberg, as well as Lauren Groff, Yaa Gyasi, Ottessa Moshfegh, and Claire Vaye Watkins, to name just a few. The issue will hit shelves on May 4th.