“It’s hard to say what truly moves the needle. Bookstagrammers help in that they get images of your book cover out there (and they make them look so pretty!), and readers need to see a book a couple of times, in a couple of different places, before they are inclined to buy it.” Author Brenda Janowitz in Forbes about the surprising success of Instagram as a book marketing platform. See also Davey Davis from our own pages on the Insta-pornification of food.
Would you like your man-steak with green peppercorn sauce? At the LRB, Jenny Diski on Catalin Avramescu‘s Intellectual History of Cannibalism.
J.K. Rowling’s new play will not, as everyone had imagined, be a prequel to the Harry Potter series. Instead, it will be a sequel, with the main action taking place 19 years after Harry Potter and the Deathly Hallows and focusing on Harry’s youngest son, Albus Severus. Here’s a self described “jaded, contrarian” take on Rowling and the series as a whole from The Millions.
“Despite its brevity, the diary is an illuminating document that offers a glimpse into the mind of the artist as a young woman.” The never-before-seen diary of Flannery O’Connor has been published in Image, an arts and faith quarterly, and reveals the shadow of the writer she would become. See also: our own Nick Ripatrazone on teaching O’Connor.
Tom Wolfe has a chance to defend (er, ward off?) his 2004 “Bad Sex Award” following Literary Review‘s decision to nominate him for this year’s top honors (er, dishonors?). The UK publication has tapped Back to Blood and seven others for this year’s shortlist — and, despite popular demand, they managed to spare J.K. Rowling’s The Casual Vacancy. For some revealing passages from Wolfe’s book, check out my review.