“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.
“The point of a party is to make us forget we are solitary, wretched and betrothed to death; in other words, to transform us into animals.” Michel Houellebecq offers some handy tips, over at The Believer. Pair with this Millions review of Houellebecq’s The Map and the Territory.