“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
Approaching Parity
Leviathan and the Blogosphere
At Big Questions Online, Alan Jacobs discusses the incivility that online discussions are prone to and suggests that this e-savagery is a symptom of our age’s infatuation with justice rather than humility and charity.
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Woop Woop
Ohio poet Stanley Gebhardt accused Violent J, a member of Insane Clown Posse, of stealing his poem, “But You Didn’t,” nine years ago and attempting to pass it off as his own. The poem was originally published in A 2nd Helping of Chicken Soup for the Soul. Bonus: Kent Russell’s dispatch from “The Gathering of the Juggalos.”
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Happy Halloween
Margaret Atwood and Naomi Alderman have written a comic zombie novel entitled The Happy Zombie Sunrise Home, which can be read for free on the website Wattpad. So far, three chapters have been posted, with a total of thirteen to be published in the ensuing weeks.
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New Releases: Crichton, Jin, Bolaño
This week brings the release of Michael Crichton’s posthumously published tale of the high seas, Pirate Latitudes and A Good Fall, a new collection of stories by Ha Jin. Also out recently is Melville House’s Roberto Bolaño: The Last Interview.
Books with Class
Season Three of Downton Abbey arrived on our shores last night, and if you’re interested in learning more about the show’s literary pedigree, our own Garth Risk Hallberg has you covered.
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A Community of Introverts
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
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