“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
A Classic of the Future
The United States of Poetry
Poetry readership among U.S. adults is the highest it’s been in 15 years—with young adult readership (among 18-24 year olds) nearly doubling—according to the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). (For what it’s worth: The Millions has always loved poetry).
Poetry of Brotherhood
Recommended Reading: The Missouri Review’s new poem of the week, Kai Carlson-Wee’s “Jesse James Days,” which also won its 2013 Editors’ Prize. “If I carried your name to the skateparks and railroad temples of rust, would you come to me, brother.”
Short Stories for your Kindle
Torpedo, the beautifully designed and illustrated Australian fiction quarterly that has featured Jim Shepard, Sheila Heti, Clancy Martin, and yours truly, now becomes the first of its kind to be fully Kindled. Copies are $2.99 here.
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Gonzo Film Crit at Gizmodo
At Gizmodo, the art of the Comcast movie summary. (My favorite is The Seventh Sign, though I Know Who Killed Me –an unforgettable piece of so-bad-its-good filmmaking–runs a close second.)
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New Quarterly Conversation
A new issue of The Quarterly Conversation covers Gaddis, Müeller, and the Nordic masculinity of Per Petterson, among other topics.
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