“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
New this week are Mark Haddon’s The Red House, Jess Walter’s Beautiful Ruins, John Lanchester’s Capital, and a collection of essays from Colm Tóibín, New Ways to Kill Your Mother: Writers and Their Families. Michael Ondaatje’s The Cat’s Table is now out in paperback.
Are you familiar with JT LeRoy (or rather, Savannah Knoop … or wait, Laura Albert), perpetrator of one of the greatest literary hoaxes in recent memory? Author: The JT LeRoy Story is a new documentary by Jeff Feuerzeig that asks questions about whether or not existence is predicated on real-world physicality — LeRoy’s books exist, so doesn’t LeRoy exist by association?
Yesterday, VIDA released its annual count of women in prominent magazines, and while they found that most of the magazines they looked at still publish significantly more men than women, they reported that The Paris Review and The New York Times Book Review published many more women in 2013 than they did in 2012. Amanda Hess takes a look at VIDA’s findings at Slate.