“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
A Classic of the Future
Emily St. John Mandel on the Cyclical Nature of Pandemics
Our own Emily St. John Mandel on her 2014 novel: "I think the unfortunate reality is that every few years Station Eleven will seem horribly relevant."
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Ishiguro Interviewed
“Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political.” Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.
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Death, Sex, Money & James McBride
Recommended listening: Death, Sex & Money talks with James McBride, winner of the 2013 National Book Award in Fiction.
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Still Fresh
There’s a new trailer out for the book Worn Stories, a collection of pieces about clothing and memory edited by Emily Spivack. The contributor list includes, among others, Heidi Julavits, John Hodgman, Greta Gerwig and Marina Abramović. (h/t The Rumpus)
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Joan Didion on Woody Allen
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”
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Dr. Seuss and The Very Bad Influence
Add this to the list of incredible things you didn’t know you needed until now. At Quartz, Jenni Avins reads through a selection of hand-typed book reviews, found in the NYPL’s archives, in which librarians tear apart children’s books they find objectionable. Sample quote, from a review of Green Eggs and Ham: “There must be better ways of teaching a child to read than this.”
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Favorite Debuts
Tin House assembles a panel to name its favorite debut novels and collections of the year. Swamplandia! and We the Animals get tapped, but some lesser known titles also make the cut.
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The Restraints of Language
Recommended Reading: Elisa Gabbert at Guernica on the relationship between ideas and language. “How can the name come after the concept if you need the name to understand the concept? This problem of circularity always made me resistant to the Sapir-Whorf hypothesis in its strong version, which states that our thoughts are bound by the restraints of our language.”