“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
Librarians might frown on P.D.A. in the library, that is, Public Displays of Affection by canoodling college couples. But another kind of P.D.A. might bring a different, more welcome sort of disruption to the library: Patron-Driven Acquisition, a model of e-book licensing that aims to relieve library purchasing agents from spending thousands on books nobody will end up reading.
A good week for new releases: John McPhee’s new, more personal collection of essays, Silk Parachute, Sam Lipsyte’s The Ask, and, of course, our own Sonya Chung’s debut Long for This World. All three of these books were on our “Most Anticipated” list for 2010. New in paperback today is Colm Tóibín’s Brooklyn.