“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
A Classic of the Future
Musical Theories
We’ve written a fair bit about the By the Book series at the Times. You can read a selection of the best entries in a collection published by the paper. This week, the series featured another novel guest: Alan Gilbert, the conductor of the New York Philharmonic. Sample quote: “I don’t seek out books about music. I’ve read them over the years, but somehow, as a genre, it isn’t something I am specifically looking for.”
Tale of a Jetblack Sunrise
Every year, for six months, a mysterious Twitter account tweets the Walt Whitman book Leaves of Grass in its entirety one line at a time. At The Atlantic, Rebecca J. Rosen profiles the account, which (to the owner's bemusement) is popular among Lana Del Rey fans.
Medvedev’s America
Kirill Medvedev’s “America: A Prophecy” has been published for Triple Canopy as part of the “Immaterial Literature” project. The suite, translated by n+1 editor Keith Gessen, is composed of pieces from the Russian poet’s forthcoming It’s No Good collection.
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