“Are things getting worse for women in publishing?” The Guardian asks, and while the article focuses on the UK, it also touches on the state of affairs in the U.S. What both situations share is a lack of female representation at the executive level, based partly on “a generation of women retiring and the amalgamation of publishing houses, which has left fewer c-circle jobs to compete for.” Oh, and sexism.
“The second prophecy was even more intense than the first one, and introduced a lot of new rules I didn’t even know existed, but everyone else seemed to kind of already know about them. But you know what? We’re a misfit band of teens who will do anything for each other now, like stand up to that town bully who’s not even scary to us anymore, now that we’ve faced pure evil and lived.” An excerpt of Mallory Ortberg’s best-selling YA novel.
Sometimes, a writer needs to live in the setting of his or her fiction, as was the case with William Faulkner, who famously took a train from Hollywood to Mississippi solely to break through his writer’s block. Other times, they need to move away to find the inspiration to write about their home. In The Globe and Mail, Marsha Lederman writes about Emma Hooper, who credits her move to England with helping her write a novel set in her native Saskatchewan.
Jesmyn Ward signed a deal for two books with Simon & Schuster: one adult novel with Scribner and the other a middle-grade novel with Caitlyn Dlouhy Books, according to Publisher’s Weekly. From our archives: Ward’s 2017 Year in Reading entry and our interview with the two-time National Book Award winner.