“It is not normal for the President of the United States to refuse to offer even passing respect to the idea that telling the truth matters. It is not normal for the President to pretend that any news coverage he dislikes is ‘fake news’ that has been fabricated by the reporters who made up the story as well as their sources.”Because this is where we are, PEN America has issued Trump the Truth, a report on free expression during the President’s first 100 days. And in case you missed it, you must read our own Adam Boretz‘s review of Mark Lamont Hill‘s Nobody.
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
“We have a customer who eats Bibles. She’s very nice, but she will walk up to a section, rip out a page, and eat it. She much prefers Catholic versions—she won’t touch King James Bibles.” This interview with the owner of Brattle Book Shop in Boston illustrates the peculiar idiosyncrasies of daily bookstore life. For all you romantics out there, here is a love letter to the brick-and-mortar bookstore.
Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.
Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.