“You couldn’t say, no, this is actually a president, this is exactly how a leader ought to talk and reason, because even with the uhs and ums cleaned out and the spoken sentences made to look like written ones, Trump’s discourse isn’t coherent.” Linguist Michael Erard for The Awl on reading Trump’s transcripts.
Lots of action with the online mags: There’s a new issue of The Hipster Book Club, with a review of Aleksander Hemon’s Love and Other Obstacles, and an interview with Glen David Gold. There’s a new Quarterly Conversation, which includes Scott Esposito’s thoughtful consideration of Cormac McCarthy. Issue 3 of N1BR is out. And the first issue of The Point includes a piece on David Foster Wallace’s legacy.Brooklyn gets a new bookstore: Greenlight!Corpus Librus, the BEA editionIn an interview with Ed Champion, Sherman Alexie clarifies his comments about the Kindle being elitist.Tibor Fischer shares a first look at Thomas Pynchon’s forthcoming Inherent Vice.The seven types of bookstore customers. (via)An incredible collection of pocket paperback colophons.Coming soon from The Onion, Inventory, a collection of “obsessively specific pop-culture lists.”The Ask Metafilter crowd suggests what to read after 2666.For fans of style guides, here’s one from The EconomistFOUND Magazine founder Davy Rothbart is crazy about vintage NBA jerseys. (via)Further Reading: Edan’s post on gifting books in a digital age generated a bunch of interesting comments. Be sure to check them out. On a related note, in PopMatters, Michael Antman bemoans the disappearance of the “physical manifestations of contemporary culture.”
Guernica’s latest issue is devoted to the American South. As the issue’s introduction states, “The American South is at once a geographical distinction and a bright spot in the imagination, where burden vies with birthright, and where ignorance and renaissance exist side by side.” The issue features a Kiese Laymon essay on inequality and language, Ed Winstead on the Southern accent in writing, an interview with Jesmyn Ward, fiction, and more.
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”