“They say ‘kill your darlings,’ but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!” Elisa Gabbert pens Electric Literature‘s “Blunt Instrument” column, which this month involves how to find one’s style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.
The Signature of Style
Good Company
What do you get when you combine Jorge Louis Borges, Vladimir Nabokov, Pablo Neruda, and W.H. Auden? You get a list of the losers of the 1965 Nobel Prize in Literature. The prize was won by the controversial Soviet author Mikhail Sholokhov, who had spoken out against granting the Nobel to Boris Pasternak a few years earlier. Not such bad company on the losing side, there.
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Effing up The New Yorker
Mary Norris on the cusswords permitted to run in The New Yorker over the years. Sadly, the piece is not titled "Fuck This Shit."
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A Horrifying Triptych
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”
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Opiates
“The cause of death/was living/the immediate cause/of death was/living in Moscow.” At n +1's website, Ainsley Morse and Bela Shayevich excerpt their translations of the Soviet poet Vsevolod Nekrasov.
What is a diverse book?
Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
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Potterversary
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer's Stone, The Huffington Post asks authors, editors, and publishers how Rowling's juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.
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