We are longtime fans (and participants) of The Morning News‘s Tournament of Books, and so were thrilled to learn they’re starting up a summer book club with a ToB twist. Join them in reading Katie Kitamura‘s A Separation and The Night Ocean by Paul La Farge, starting in just a week and a half.
The Summer Rooster Crows Soon
Art Within Art Within Art Within
The Public Domain Review and Berfrois heard you’re a big fan of paintings so they rounded up paintings with other paintings inside of them.
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Print’s Not Dead
Instead of Craigslist, the people of Berlin use fliers and lampposts to “send romantic messages to strangers they’ve seen on a train.”
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Lions, and Tigers, and Fords
Recommended Reading: This essay by Muna Mire and Messiah Rhodes on private policing in Detroit, Michigan. These few Millions essays on the Motor City will satisfy your Detroit fix.
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Nicholson Baker Overload
In addition to House of Holes‘ recent coverage in the New York Review of Books and Open Letters Monthly (and on The Millions), the latest edition of The Paris Review features an interview with “mad scientist of smut” Nicholson Baker. (You can check out an excerpt here.) But for those still unsatisfied, Adam Wilson has assembled a canon of raunchy literature.
The Tactile Comic Book
A designer from Copenhagen, Philipp Meyer (not the novelist), has created the first comic book for the blind. “Most of the tactile material that is available for blind people is very information dense. It’s always about information and not often about art,” he says.
To MFA or Not to MFA
The MFA rankings kerfuffle gets a contribution from Slate writer Scott Kenemore (which Roxane Gay promptly eviscerates), but this post appears to be the most level-headed assessment yet. (Last link via Hobart)
The Opposite of Slouching
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
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