“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.
Man Middle School Was Rough, Huh?
When Life Gives You Rob Ford, What More Do You Require?
PSA: Little Brother is releasing a special issue entitled Everything Is Fine. The kicker? The issue is dedicated to fiction about embattled Toronto mayor Rob Ford. (P.S. If you aren’t familiar with LB, it’s the magazine run by Millions Tumblr-er emeritus Emily M. Keeler.)
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The Posterity Problem
Measuring a writer’s success is tricky. An author might make The New York Times Bestseller List now but only be a footnote in an encyclopedia a century later. At The Guardian, D.J. Taylor wonders what contributes to a writer’s posterity and concludes a pushy publisher or sponsor is often a writer’s best asset. Pair with: Our essay on how John Updike fans attempt to maintain his reputation.
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“There was a sort of magic down here.”
Moving from New York to Baton Rouge might sound extreme to some, but not to Emily Nemens. Over at Lean In, she explains how she worked her way up from graduate assistant to Southern Review coeditor.
I Know That Naked Man
Recommended Reading: The untold story of a legendary photograph by Diane Arbus, A naked man being a woman, over at The Literary Hub.
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This Isn’t Your Mother’s DoubleX
The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).
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Amazon Releases Its Best 100 Books of 2012
Amazon is kicking off the year-end deluge of lists with its 100 best books of 2012.
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