“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.
“Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal… I’ll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation…” From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow’s Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky‘s opera The Voyevoda, which opened in the Bolshoi in 1869.
“Her exchanges with Americans in small towns and rural communities are inspiring an appreciation of poetry and history – and remind us that poetry has value for all of our lives.” The Library of Congress appointed Tracy K. Smith to a second term as the 22nd Poet Laureate Consultant in Poetry for 2018-2019. For her second term, Smith edited an anthology called American Journal: Fifty Poems for Our Time, which will be published by Graywolf Press in association with the Library of Congress. Pair with: our review of Smith’s memoir, Ordinary Light.