“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.
“Bengali children’s fiction’s limitless supply of ghost stories is matched by little other than its readers’ appetite for it,” writes Siddharthya Swapan Roy. “Anthologies dedicated to ghostly thrills come out with unfailing regularity and every publishing house that does not wish to upset its child readership pays due respects to ghosts and their stories.”
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
Do you have an ereader but miss the look and feel of a gorgeous hardcover book? Do you want people to think you’re all about print when in fact you are riding the digital wave? Then you simply must get this incredible Book sleeve for your iPad, Macbook or Kindle. (Via Peter Knox’s tumblr blog)
What if the Tour de France nearly ground to a halt due to fiction? Imagine the best bikers in the world reading themselves into injury. At The Morning News, our own Matt Seidel imagines the chaos, making clear what happens when professional athletes meet page-turners. You could also read Matt’s essay on Tim Krabbé’s book The Rider.