“We don’t want to run a for-profit business, or even a break-even business that’s based on income. It’s something that would not return a great deal of money for us and would create an adversarial role.” The Huffington Post reports on the growing number of libraries dropping overdue fines. Pair with Daniel Penev on why public libraries have a more vital role to play in the culture than ever before.
Black Country, the debut book of poetry by Liz Berry, won this year’s Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
“Between 1990 and 2014, visits to public libraries grew by a whopping 181%. For context, the population of the United States increased by 28% during that period.” Why the library boom? (via The Digital Reader) See also this paean by Daniel Penev in our own pages,“The Library Is Dead. Long Live the Library!”
Sometimes the most important issues are the most difficult to discuss. While a conversation about diversity in literature has started, The New Republic asks us why socioeconomic status is often left out of the conversation. Our essay on the rise and fall of the creative class pairs nicely.
Now that classic sci-fi mag Omni has risen from the Hades of publishing, editors are combing its massive archives in search of material to republish. Among that material, it turns out, are drawings of Dune homeworld Arrakis — drawings that happen to be endorsed by none other than Frank Herbert himself.
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
Don’t blame Amazon or Goodreads for authors writing rave reviews of their own work. Writers have been self-promoting since the 1700s, when it was called “puffery.” As Nicholas Mason writes for Symposium Magazine, “Nearly every British writer of the late eighteenth and early nineteenth centuries either participated in or benefitted from ginned-up book reviews.” The list of puffed up authors includes Mary Wollstonecraft, Walter Scott, and Mary Shelley.