“Bestselling self-published authors attract producers because they have a proven track record if they stay on Amazon sales charts over time.” The Guardian considers the Hollywood success of writers such as Andy Weir, E. L. James, and Mark Dawson. And just last year our own Bill Morris wondered why literature was enjoying such a good run out in LaLa Land: “Four novels as source material for Oscar-nominated screenplays? What happened? Did some pixie slip a vial of smart powder into the L.A. drinking water?”
Hollywood Calls
Eating with Proust
“In fact, the lack of action in the food memoir can be compensated with narrative and theme.” Angshuman Das writes on the food memoir at Ploughshares. Pair with a piece from our own Hannah Gersen on Proust’s Habit and the gluten-free diet.
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Barrels of Laughs
A while back, our own Mark O’Connell argued that Flann O’Brien, in The Poor Mouth, was the funniest writer who ever lived. Now, in an essay, Erin Somersin says the title should go to Mordecai Richler instead. She writes about the Canadian author’s unique sense of humor in a piece for the Ploughshares blog.
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Raised on B-Movies
I've loved old sci-fi B-movies forever, and a staggering number of my childhood memories involve Ray Harryhausen. For this reason, I'm really geeking out over The New Yorker’s entire science fiction issue, but in particular this piece by Colson Whitehead deserves your time.
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The Marriage of Opposites
“I can’t help but worry that those of us who hoped that the marriage of pop culture and feminism would yield deliciously progressive fruit might have a lot to answer for.” Andi Zeisler on her new book and 20 years of Bitch Magazine. Also check out this Millions essay on feminist pop anthems.
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Hotel Reviews Reviewed
Year in Reading Alum Alexander Chee reviews Rick Moody’s latest release, Hotels of North America. “The present is too cruel for him, and yet he cannot change it, so there is this instead, sentence by sentence, a nod to the past that is really a nod to his own past. A conflation of his nostalgia for the days of his sexual attractiveness and the unencumbered power of white men, all of it dressed up as a love for old words.” To hear more from Moody, check out our recent interview with him.
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