“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.
Tom Jenks, co-founder of Narrative Magazine (which charges writers $23 to submit), is releasing a 400-page, six-chapter craft book on the art of imaginative fiction titled A Poetics of Fiction. The information inside the book is billed as “more than useful—it’s essential and not readily available anywhere else”—maybe that’s why it retails for $225.
In 1847, Charles Dickens founded a house for homeless women in the Shepherd’s Bush neighborhood of London. After setting up the center’s amenities, he publicized the house using leaflets and, upon hearing that London society was shocked that the center had a piano, spread a rumor that the center boasted a piano for every resident. At The Guardian, a look at a letter Dickens wrote to the matron of the house, to be sold at Christie’s in May. (h/t The Paris Review)
Starting today, you can launch occasional Millions writer James Kaelan and his book, We’re Getting On, a “composite novel” (made up of two stories and two novellas, all thematically linked). And because this is part of his Zero-Emissions Book Project, Kaelan will promote his book by bike on a cross-country reading tour.