“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
In another excellent essay from LARB’s new site, Morten Høi Jensen takes a close look at the work of Martin Amis to discuss the theme of masculinity, the arc of his oeuvre, the seductiveness of his distinct tone and the dangers of falling for it. For more on Amis, check out our expose of Invasion of the Space Invaders, the near-forgotten first work by Amis in which the young author details the gritty world of arcade gaming.
“To be a Patrick Leigh Fermor, a Colin Thubron, a Norman Douglas or Paul Theroux, requires always saying yes. To not-get-raped, according to every lesson I – and so many other women – have been taught, so often requires saying no.” On the paradox of being a women and a travel writer.