“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
A couple years ago, Robert Birnbaum interviewed Edith Pearlman for The Millions, asking why the highly regarded short story writer didn’t hit it big until recently. Now, in the Times, Laura van den Berg reads Pearlman’s book Honeydew, in a piece that nicely complements Steve Almond’s profile of the author. FYI, Laura van den Berg has written for us.
“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”