In writing her novel The Last Neanderthal, which published this week, Millions staffer Claire Cameron relied on Jane Smiley’s motto for writing historical fiction: “you are there.” Bonus: Don’t miss our interview with Cameron, in which she describes her many “life-long obsessions.”
A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke's latest for Bookforum, Lisa Locascio writes about the author's own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
“The good detective story writer (there must after all be a few) competes not only with all the unburied dead but with all the hosts of the living as well. And on almost equal terms; for it is one of the qualities of this kind of writing that the thing that makes people read it never goes out of style.” Raymond Chandler’s 1950 essay, “The Simple Art of Murder” is a real gem.
As round one of the Tournament of Books wraps up, The Morning News offers some statistical analysis as well as some commentary that addresses the competition and controversies thus far. Round two commences next week!
"Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business...." Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)