Conrad Aiken’s tombstone reads: “Cosmos Mariner — Destination Unknown.” Which raises the question: what exactly does this epitaph say about the poet’s work? In the LA Times, an argument that Aiken deserves a reappraisal.
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)
“I took a ride (on an elephant); but it was by request—I did not ask for it, and didn’t want it; but I took it, because otherwise they would have thought I was afraid, which I was.” Mark Twain, the consummate American, travelled the world in style–despite having almost no money. Allow me to direct your attention to this complementary Millions piece on Twain and the art of travel writing.
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.