If you’re looking forward to the next Margaret Atwood novel, you’ll have to wait a century. Atwood is the first author to participate in the Future Library project, in which 100 authors will write 100 original manuscripts to be published 100 years from now. We’re envious of our grandchildren. If you’d like an Atwood fix sooner, her short story collection Stone Mattress: Nine Tales comes out next week.
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that “38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901.” They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up.”The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth,” the breakdown is fascinating.
Back in April, Dreamworks announced its plans to adapt Eleanor and Park by Rainbow Rowell for the silver screen, with the author writing the script. A few months later, Rowell published a new book, Landline, that marked a return to adult fiction. At The Rumpus, Amanda Green sits down with the author to talk about YA, her productivity and the importance (or not) of getting up early to write. FYI, our own Janet Potter reviewed Eleanor and Park and Fangirl.
“What [Vladimir] Nabokov is actually doing in Lolita is deliberately drawing on all manner of anti-Semitic propaganda, from The Protocols of the Elders of Zion to Nazi caricatures of the Jewish ‘type,’ to create in Humbert Humbert the anti-Semitic cliché of legend, rather as, say, Chaucer draws on medieval misogynist writings to create in the figure of the Wife of Bath the archetypal shrew of his male audience’s nightmares.”