The New York Times is broadening its book coverage by adding more staffers and launching three new features: a literary advice column, a weekly Q&A about writing processes, and a column looking at “contemporary issues through the lens of recent and historical books.”
Out this week: Forest Dark by Nicole Krauss; Katalin Street by Magda Szabó; Letters to Memory by Karen Tei Yamashita; Bluebird, Bluebird by Attica Locke; Affections by Rodrigo Hasbún; A Loving, Faithful Animal by Josephine Rowe; After the Flare by Deji Bryce Olukotun; and Little Fires Everywhere by Celeste Ng. For more on these and other new titles, go read our most recent book preview.
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
We give up a book for many reasons: it was too long, the writing was dull, it was written by E.L. James. Goodreads has charted just when and why we abandon books. Catch-22 is the number one abandoned book. (Confession: I didn't finish it either.) Also, see our article on the pressures of finishing novels in the age of literary social media.
American music lost one of its best songwriters with the passing of Jason Molina last March. Molina was known for his work with Songs: Ohia and Magnolia Electric Co. As a tribute this week on Jimmy Kimmel Live, and as a way of spreading awareness for a May 11 concert in Molina’s memory, Band of Horses covered one of the late musician’s songs, “I’ve Been Riding With the Ghost.” (Original.)
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth's A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth's epic as "a spectacularly romantic novel, weddings all over," but noted sadly that "it portends falling in love with the man you can marry, in lieu of the one that you can’t."
There are a lot of writers who work in advertising, and it's starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. "We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button," neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.