A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
In The New York Times, Tatjana Soli gives high praise to Snow Hunters, the first novel by Once the Shore author and Best American Short Stories alumnus Paul Yoon. The novel, which tells the tale of a North Korean refugee named Yohan, proves that Yoon is “well-suited to the short form,” she writes. (Related: Soli has written for us.)
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks — My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead — are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)