Got a couple thousand bucks lying around? You can place a bid on one of Ernest Hemingway’s love letters. Or, for a more modest price of “free,” you can read Tim Weed’s rumination entitled “Chasing Hemingway’s Ghost in Havana.”
Hemingway Double Shot
Amazon Shows Off ‘Kindle for the Web’
Amazon is battling the multi-platform capabilities of Google’s new ebookstore with its new “Kindle for the Web.” The demo makes it look pretty easy on the eyes. Kindle books were already accessible on a number of mobile platforms. What’s new here is taking the Kindle capabilities to the PC.
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Beverly Cleary Turns 100
This week, Beverly Cleary turned 100. Revisit some of her famous characters like Ramona Quimby and Henry Huggins at NPR. Our editor Lydia Kiesling writes on Cleary’s memoirs, which “transcend time.”
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I Have a Mortgage
“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.
The Transcriptionist’s Tale
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.
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Roth v. Roth v. Roth
In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.
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