Recommended Reading: Willa Paskin’s review of Hulu’s adaptation of The Handmaid’s Tale.
Gilead
Place Your Bids
“I’ve learnt so much from this profound novelist about nuance, understatement, technique.” Eighteen handwritten homages to Jane Austen by well-known writers are up for auction until tomorrow. Margaret Atwood, Kazuo Ishiguro, Hilary Mantel, and Ian McEwan are among the authors whose tributes will raise funds for the Royal Society of Literature, reports The Guardian. And read our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.
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A Call to Action
After our plea to lift The Bluest Eye‘s recent ban, The Nation has also come to Toni Morrison’s defense. “This pervasive sexual violence is reality for tens of thousands of students, a reality the Ohio Board of Ed is looking to whitewash with this latest censorship drive,” Peter Rothberg writes.
I’d Like to Thank…
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.
The Ice Is Slick
Recommended Reading: A new poem by Danez Smith for BuzzFeed READER.
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#onenovel
Twitter fans: Our book question has spawned a mini-twitter trend: #onenovel. Join in!
New Murakami on the Way
Today is Haruki Murakami’s birthday, so what better day to announce the title of his next work, Kishidancho Goroshi (Killing Commendatore)? The novel, which is divided in two parts – Arawareru Idea (Emerging Idea) and Utsurou Metaphor (Moving Metaphor) – is slated for a late February release in Japan. As of this writing, very little is known about the novel’s plot.
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Not a Title
In the first two lines of a piece in the latest New Yorker about the Alaskan poet Olena Kalytiak Davis, Dan Chiasson points out that her new book, The Poem She Didn’t Write and Other Poems, has an undeniably excellent title. In describing her appeal, he says that her submissions to the canon are “anti-submissions,” by which he means that she actively rejects association with more famous poets. “Davis’s professed unworthiness is one of many tricky manifestations of her ambition,” he writes.