In 1980, Julio Cortázar gave a series of lectures at Berkeley, which you can now read in the slim, simply-titled volume Literature Class. Among the highlights? This sentence: “I had lived with a complete feeling of familiarity with the fantastic because it seemed as acceptable to me, as possible and as real, as the fact of eating soup at eight o’clock in the evening.”
Fantastisch
Interview with Bonnie Jo Campbell
A July 2009 interview at bookish us with National Book Award nominee Bonnie Jo Campbell. Interesting especially is the question (and answer) about how/why American Salvage, the only book from a small press among this year’s NBA finalists, ended up with Wayne State University Press (with an initial print run of 1,500).
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Why?
Jesse Eisenberg’s nephew has a few questions for him in The New Yorker. Listen to Eisenberg read a piece of his new book, Bream Gives Me Hiccups, and face existential doubt in Shouts and Murmurs.
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The Half-Windsor
Recommended Reading: Alex Myers’s essay “Just Like…” on Hobart. “I was seventeen, and I wanted to show him – and everyone else (most of all, myself) – that I could be a man on my own terms.”
Anthology of African LGBT Writing
Poet Abayomi Animashaun has issued a call for “poems by gay, lesbian, bisexual, and transgender individuals living in Africa and in the Diaspora.” Submissions “of high merit” will be considered for a forthcoming anthology.
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New Releases!
Tuesday New Release Day! New E.L. Doctorow, new Lorrie Moore, new Nick Cave, new (guest contributor) Michelle Huneven. And new in paperback 2666. Update: There’s also a new six-word memoir collection “by Teens Famous and Obscure” edited by Friend of The Millions Rachel Fershleiser
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On The Emotional Dishonesty of Having a Thick Skin
At The Nervous Breakdown, Ronlyn Domingue’s honest and thoughtful “My Horrible New York Times Review” is a must-read for any writer who’s been rejected or ridiculed lately (and, really, who hasn’t been?)
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The Great Delay
From Slate comes an answer to the question: “Why did it take so long for The Great Gatsby to be recognized as a masterpiece?” Pair with our own Sonya Chung‘s review of the novel.
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Roger Angell has worked at the New Yorker for 58 years.
In his profile of Roger Angell, Sridhar Paddu offers this astute observation from Charles McGrath: “Which is the greater—Roger the writer or Roger the editor? It’s kind of a toss-up.” Bonus: Angell’s piece about Don Zimmer, who just passed away this week, is well worth your time.
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