The bookstore business is supposed to be dying, but Ann Patchett begs to differ. She discussed her independent shop, Parnassus Books, and the future of bookstores for The Daily Beast’s “How I Write” series. “I can’t remember the last time I was in a bad bookstore. The future of independent bookstores is strong. We need to be small. The day of the 30,000 square foot bookstore is over, but the day of the 3000 square foot bookstore has arrived.” Patchett was also interviewed for The New York Times “By the Book” series, where she said Charlotte’s Web had such an impact on her as a kid that she got a pet pig and became a vegetarian.
“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
“I hate to break it to you but everyone does not, in fact, have a book in them.” For The Outline, literary agent Kate McKean writes about the difference between good stories and good books—and what it takes to write the latter. Pair with: an essay on the books that fight back
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.