What happens when you co-write a book with someone who’s illiterate? YPTR has the details.LitLinks, a well stocked collection of links about a few hundred notable authors.iPoems arrives promising a plethora of downloadable poetry so you can jam to some verse on your iPod.
Have some free time today? Might I suggest reading Michael Idov‘s GQ article “The Movie That Ate Itself.” Not convinced? I’ll let the story’s description speak for itself: “Five years ago, a relatively unknown (and unhinged) director began one of the wildest experiments in film history. Armed with total creative control, he invaded a Ukrainian city, marshaled a cast of thousands and thousands, and constructed a totalitarian society in which the cameras are always rolling and the actors never go home.”
Arisa Wright hits the nail on the head in this piece for LitHub, titled simply “In Praise of Our Black Women Poets“: “Clifton’s remark disabused me of the idea that there is something I must erase to make my poetry universal. She freed my mind and body; she freed my verse.”
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
“When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them.” Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn’t escapism. Pair with our own Edan Lepucki‘s review of Grossman’s latest novel, The Magician’s Land.
At Goodreads, join debut novelists Malena Watrous, Peter Bognanni, Emily Gray Tedrowe, and Sonya Chung for a meaty and candid discussion, including confessions about procrastination and the fact that we all actually really enjoy writing. Moderated by Katrina Kittle. Click here to join.