When asked about his tenure as a professor of creative writing, Harry Crews used to say, “I may be at the university, but I damn sure ain’t of the university.” But in talking to his former students, Crews’s biographer, Ted Geltner, found that in spite of the writer’s efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his “most representative” Florida book.)
An interview with the author David Bajo, on his new novel Panopticon: "I’ve always been fascinated by the idea of privacy, especially how our society constantly seeks ways to invade it technologically, how we consistently undermine it by happily participating in digital omniscience, yet how we are outraged by the pain that technology and that desire sometimes cause."
In many of Queens' 62 library branches, copies of books are being borrowed are in Korean, Chinese or Spanish. A library branch in Astoria, responding to its own diverse readership, carries children’s books in Arabic, Bengali, Chinese, Russian, Portuguese and Gujarati. Striving to cater to the intensifying globalization of its surrounding streets, the New York neighborhood library speaks your language as never before.
At the LARB, Anne Trubek quotes Lionel Trilling in a review of The Son and American Rust, the two books published thus far by New Yorker 20 Under 40 alum Phillipp Meyer. “In the American metaphysic,” Trilling wrote in his essay "Reality in America," “reality is always material reality, hard, resistant, unformed, impenetrable, and unpleasant.” Those of you who read our pieces on both books may be able to guess why the quote is relevant.
Arisa Wright hits the nail on the head in this piece for LitHub, titled simply "In Praise of Our Black Women Poets": "Clifton’s remark disabused me of the idea that there is something I must erase to make my poetry universal. She freed my mind and body; she freed my verse."