When asked about his tenure as a professor of creative writing, Harry Crews used to say, “I may be at the university, but I damn sure ain’t of the university.” But in talking to his former students, Crews’s biographer, Ted Geltner, found that in spite of the writer’s efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his “most representative” Florida book.)
Class with Harry Crews
Dido’s Lament
Listen to Tessa Hadley read her story “Dido’s Lament” from the August 8th and 15th issue of The New Yorker. If you’re looking for the Aeneid, we recently had Virgil day here at The Millions.
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Personals, for the Bookish
Head in a Book
Pen, paper, and a brain scan: the newest trend in literary criticism might be “neurohumanities.”
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Bone Worship is Hot
An Experiment In Crowdsourced Development
Palgrave Macmillan is posting sample chapters from book proposals online, inviting comment “from anyone who feels they can contribute to the development of the works in question.” The trial will continue for the next six weeks.
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Talking Fails
Mark O’Connell discusses Epic Fail with Lauren Eggert-Crowe at The Rumpus. Contrary to what its title may lead you to believe, Mark’s book has been described as “expertly researched” and “wonderfully witty.”
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