Women writers of color can apply for the two-week Writer’s Colony at Dairy Hollow, which is being organized by Jack Jones Literary Arts, and will take place between October 16-30, 2017. The retreat will feature daily master classes with agents, editors, and publishing professionals, and comes with a $1,050 stipend. Applications are open until May 1, 2017.
“Someone asked me what I was doing in my 10‑year break,” says Kazuo Ishiguro with a boyish chuckle. “And I thought: yes, there has been a 10-year break since my last novel, but I personally haven’t been taking a 10‑year break!” The Telegraph talks with Ishiguro about his new novel and the first he’s published since Never Let Me Go, The Buried Giant.
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Researchers have determined that “winning a prestigious prize in the literary world seems to go hand-in-hand with a particularly sharp reduction in ratings of perceived quality.” So if you’re very sensitive, take some solace in the fact that you haven’t won a major award, I guess.