This Land Press, which launched in 2010 as a project to “bring literary journalism to Middle America,” will suspend publication of its magazine this spring, and there are no immediate plans for future publication.
Out this week: Flâneuse by Lauren Elkin; Abandon Me by Melissa Febos; Lower Ed by Tressie McMillan Cottom; Parable of the Sower by Octavia Butler; No Other World by Rahul Mehta; Harmless Like You by Rowan Hisayo Buchanan; and To Be a Machine by our own Mark O’Connell (who we interviewed recently). For more on these and other new titles, go read our most recent book preview.
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
“My students are not as puzzled by Gertrude Stein as I expect them to be. Stein writes: ‘Glazed Glitter. Nickel, what is nickel,’ and my students recognize the moment of wondering. This habit of wonder is familiar in part because we have been raised on the lists of Goodnight Moon.” On Gertrude Stein, Goodnight Moon, and the wonderment of language from Slate.
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.