Our friends at Bloom launched a new feature, “Go Figure,” which seeks to “explore the portrayal of mathematics and science in fiction and literature … to uncover … deeply emotional and naturally creative connections.”
"Our bookstores hold a place in our communities where people go to escape their lives, to talk to a real person and just sit in a comfy chair surrounded by personally curated literature. This is what we do, who we are, so let’s make an extra effort to step away from our desks and computers and provide a safe and compassionate place for people to share their anger and grief today." In the wake of Monday's tragedy, Boston's bookstores figure out how to deal. And at The New Yorker, a poem for Boston.
Corey Vilhauer, host of his Book of the Month Club here at The Millions, has put together a great collection of lists of greatest writers, straying outside of the purely literary realm into music, film, and other areas. He has his own top 25, as well as top tens from a number of guests.The Guardian interviews Richard Ford in anticipation of his upcoming third Frank Bascome novel, Lay of the Land. "It is quite some novelty to find myself waking up in Richard Ford's bed," it starts.The Boston Globe profiles John Hodgman, who, with his book The Areas of My Expertise, regular "Daily Show" appearances, and ubiquitous Mac ads is suddenly everywhere. Update: Hodgman gets interviewed by Radar.Did you know there are two books about "Jeopardy!" out right now? Brainiac is by Ken Jennings, the guy who was the game show's champion for about six months in 2004. A somewhat wackier look at the show is Prisoner of Trebekistan by another former champion, Bob Harris. The Village Voice recently reviewed both books.
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
It doesn't get much better than James Wood on Joy Williams: "Nothing is stranger (and funnier) in Williams’s work than her details. Like her forms, they only resemble conventional realist details, an atmosphere perhaps encouraged by her flat, functional sentences (“They danced. Sam had quite a bit to drink”). The details are frequently surreal, magical, hallucinogenic, delivered in a cool, dispassionate, routine manner."
“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.