“I don’t know what wave feminism we are in now. Fourth? Fifth? But Ms. Attenberg, it depresses me to no end that the gritty, credible, less kissed-by-God heroine of your book, Andrea Bern, a single, childless, 39-year-old straight woman, a character created almost 50 years after Mary Richards, is still realistically struggling with and defying convention because she isn’t married.” On Jami Attenberg’s new novel.
A Fatal Continuity
The Sound of Privilege
On Friday, May 10th, Baz Luhrmann’s adaptation of The Great Gatsby hits theaters. To get ready, check out the soundtrack, which the folks at NPR were kind enough to post online. (h/t Salon)
What Should I Title This?
Titles are hard, guys. Over at The Daily Beast, Ruth Bernard Yeazell tries to figure out why so often famous paintings have titles that don’t seem to match up with the work at all. Here are four (4) other pieces on titles — I told you, titles are hard.
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Hop on the Raft
For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
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Imaginary Oklahoma
“Imaginary Oklahoma” writes Oklahoman writer James McGirk, “is an anthology of forty-six writers’ attempts to envision Oklahoma without ever having visited America’s forty-sixth state.” You can get a taste for the pieces over at The Paris Review, or you can check out the book trailer and attempt to envision The Paris Review‘s write-up without actually reading it.
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This Job Completes Me
“Now, I ask you, what if all along it was as simple as joining this company to fill the part of me missing? What if some deranged wiring or disease has forced me to isolate myself away instead of considering being part of a team like the one here at your company? I feel pretty good right now, and I’m not even officially part of anything. Just even filling out this application is fixing me.” Quotes from Dan Kennedy’s poetic job interviews.
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Tuesday New Release Day: Obreht, Edgarian, Brooks, Gordon, McEwan, Skloot
New this week is The Tiger’s Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker’s 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian’s Three Stages of Amazement. David Brooks’s latest pop sociology effort The Social Animal is now out — this one, excerpted in the New Yorker — sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan’s Solar, and Rebecca Skloot’s non-fiction blockbuster The Immortal Life of Henrietta Lacks.
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